Hollywood FX Professional V 6.4.1l
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The best way you can find out about these products is by asking actual sound engineers, reading this guide which is written by a professional engineer such as myself and/or checking out the free and loosely moderated sound engineering forums like KVR, Sound on Sound, Gearslutz and the Audio Engineering forum on Reddit.
For upgrading a studio computer, you have to install and register every plugin you have. For a professional or serious home studio, that could be thousands of individual programs/plugins that you have to install.
Un-registering a piece of software from one computer to move to another means your studio is down until you completely swap over to the new system. That might not be an issue for a home recording studio but for a professional recording studio like mine, downtime = loss of income.
This is a good DAW for advanced users and those that want to get into sound engineering, professional music production, serious composition and film scoring. If you play the piano or want to record a full band, this is probably the DAW for you.
All home audio interfaces have some sort of compromises. The cheaper ones have more and the expensive ones have less. The cheaper ones have less audio quality and the more expensive ones have more. Although the gap over the years has been decreasing. You can pick up a sub-$1000 interfaces with minimal compromises now but anything under the $300 range has some audio compromises that make them unfit for serious professional work.
Since the Apollo Twin, Audient iD series & Zen Tour all support ADAT, you can get extra inputs by adding an ADAT converter. Some preamps have built in ADAT converters. The most popular in professional recording studios is often the Audient ASP880.
Usually professional sound engineers buy this not home studio guys but this gives you the sound of a Neve 1073 preamp without buying a classic $100k vintage Analogue Neve desk. It requires a 500 series lunchbox chassis to work. 2b1af7f3a8