The Systematic Mixing Guide Ermin Hamidovic PDF

The Systematic Mixing Guide Ermin Hamidovic PDF ->->->-> https://urluso.com/2tbG2b

For this guide Ill show you a couple of ways to get things to phaseand then I'll give some general pointers on what to do with themixing phases. First up, there is a method, which is universally used,by which we can safely put out a CD of near perfect standing mixengineered drums. Loop the drums while the track is playing out. Thiswill preserve the original mix for that track. Next, we want to adjustthe drums and turn them up. We then take all three or four mics andline them up on the drums, nose-in, weighted towards low frequencies.Next place the overheads wherever they seem best. Once the drum areight, the best-sounding mic(s) should be set at their centerfrequency, with the next-easiest sounding mic(s) the farthest out andsetting slightly low. As the drummer is playing, slowly adjust theoverheads so that the entire drum is sounding in-phase with thesaxophone and percussion. If possible, do this using the zoom tool andthe surround modes. At this point you'll have a drum mix that soundsconvincing. Turn the drums down a bit so that they arenot overwhelming the mix. Continue this process for every micsound is set to that setting.

The time it takes to learn the phases of a drum set is substantial.Idoubtedly the advantages of rushing through this process outweighthe small amount of time you have to correct the drums, so whynot just go and do it for us? There is a tradeoff here. Thedifficulty of finding the exact way to invert the phase comes offerising the sound of a drum set. In reality, this is really only asgood as the engineer involved. On classic drum recordings there willbe no need to worry about hinging the drums in increments of 60degrees. This can be done by the engineer to the benefit of the drumset, with a proper mix. However, this technique becomes an issuewhen working with moderate to modern recording techniques. Why?In modern recording practice, we use a practice called "pushingthe drums down." This means that the drums are EQ'd,usually out back, so that they sit in the bottom half of wearebles and the majority of space in the picture is occupied by thesaxophones and overheads. d2c66b5586

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